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        <dc:identifier opf:scheme="uuid" id="uuid_id">1a46c5ce-5b6c-4494-af94-da6bc4437e8b</dc:identifier>
        <dc:title>The Sacred Art of Stealing</dc:title>
        <dc:creator opf:file-as="Brookmyre, Christopher" opf:role="aut">Christopher Brookmyre</dc:creator>
        <dc:contributor opf:file-as="calibre" opf:role="bkp">calibre (2.82.0) [https://calibre-ebook.com]</dc:contributor>
        <dc:date>2003-09-03T12:00:00+00:00</dc:date>
        <dc:description>&lt;div&gt;&lt;p&gt;Their eyes met across a crowded room. She was just a poor servant girl and he was the son of a rich industrialist. Er, no, this is a Christopher Brookmyre novel, although the eyes meeting across a crowded room part is true. Where it differs from the fairy tales is that the room in question was crowded with hostages and armed bank-robbers, and his eyes were the only part of him she could see behind the mask. He is an art-thief par excellence and she is a connoisseur of crooks. Her job is to hunt him to extinction; his is to avoid being caught and he also has a secret agenda more valuable than anything he might steal. There are risks he can take without jeopardising his plans. He can afford to play cat-and-mouse with the female cop who's on his tail; it might even arguably be necessary. What he can't afford is to let her get too close: he could could end up in jail or, even more scary, he could end up in love ...&lt;/p&gt;
&lt;p&gt;**&lt;/p&gt;&lt;/div&gt;</dc:description>
        <dc:publisher>ABACUS</dc:publisher>
        <dc:identifier opf:scheme="AMAZON">0349114900</dc:identifier>
        <dc:identifier opf:scheme="ISBN">9780349114903</dc:identifier>
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        <dc:language>eng</dc:language>
        <dc:subject>Fiction</dc:subject>
        <dc:subject>Crime</dc:subject>
        <dc:subject>Mystery &amp; Detective</dc:subject>
        <dc:subject>General</dc:subject>
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